Park, Linda Sue, and Julie Downing. The
firekeeper's son. New York: Clarion Books, 2003.
Plot Summary: Sang-hee learns about the importance of
keeping the fire burning in his home country of Korea. His father works to
teach Sang-hee the ways of the firekeepers, and soon Sang-hee abruptly finds
himself taking on the responsibility on his own. Through the experience,
Sang-hee learns to have pride in his country and the importance of serving his
country.
Critical Analysis: The
Firekeeper’s Son, by Linda Sue Park and illustrated by Julie Downing, tells
the story of a young Korean patriot, Sang-hee. The story takes place in Korea
in the 1800’s. Two main characters are depicted in this story, Sanh-hee and his
father. Both are portrayed in accurate detail, including clothes, facial
features, and skin tones. This story is intimate, and the only interaction
between characters is between the boy and his father. Obviously portrayed in
this book is the patriarchal role of a father. Sang-hee’s father is expected to
light the fire each night to protect Korea, and when his father cannot complete
the task, Sang-hee is expected to carry it out. Cultural markers in this book
are often included in the illustrations. Examples of these include clothing,
accessories, landscape, and shelters. Julie Downing’s illustrations are
beautifully done with watercolor and pastels and add life and meaning to Park’s
words. The book includes a helpful author’s note, which explains the fire
lighting system in detail.
Reviews:
Booklist: Park,
who won a Newbery Medal for her novel A Single Shard (2001), tells a
picture-book story set in Korea in the early 1800s about a young boy in a
remote village who suddenly finds himself serving his country. At sunset
Sang-hee's father always climbs the mountain and lights a fire that signals to another
firekeeper on the next mountain
to light his fire, and so on, all the way to the mountain at the palace of the
king, who knows from the fire signals that all is well in the land. Then one
evening Sang-hee's father breaks his ankle, and the boy must keep the light
burning. Downing's handsome, watercolor-and-pastel double-page pictures
personalize the history, showing realistic close-ups of the child, who plays
soldiers and dreams of the excitement of battle. In contrast are the panoramic
views far across the country as the boy tends the flame that preserves peace
from mountain to mountain. Add this to those lighthouse stories about the brave
child who must take over for adults.
Kirkus:
Drawing once again on her heritage, Newbery Medalist Park tells a tale rooted
in the history of Korea. Centuries ago-and through the 19th century-the
lighting of fires apprised the king of the safety of his country. Darkness
warned of trouble. When Sang-hee's father is injured, Sang-hee must climb the
mountain with the brass pot of hot coals to start the fire that signals all is
well. The first night Sang-hee contemplates whether or not he should light the
fire-after all, if he does not, the soldiers will come and he would like to see
the soldiers just once. In the end both Sang-hee and his father are proud that
Sang-hee has become a trustworthy fire-starter as his father and grandfather
were before him. Even in the darkness the watercolor illustrations glow with
vibrancy. The cover illustration is especially striking: Sang-hee bright-eyed
at the orange-and-yellow fire flickering before him. A lovely telling that will
bring readers back to read or hear this story one more time.
Children’s
Literature: Back in 19th century Korea, young Sang-hee's father explains the
importance of his trip every night to the nearby mountaintop. There he must
start a fire, the first in a series of fires from mountain to mountain from the
sea to the king's palace. The fires signal that all is well; that no enemy
threatens from the sea. One evening Sang-hee does not see the fire. When he
runs to see why, he finds that his father is hurt, so he must take the pot of
coals to the mountaintop and light the fire. Much as he yearns to see the
soldiers who would come if no fire is lit, Sang-hee realizes it is up to him to
keep the peace. With great difficulty, he manages to kindle the flame, and
until his father is well he does his duty. Watercolors and pastels are used to
create naturalistic double-page scenes which describe the 'important village"
and the mountain landscape surrounding it. There is a gentle quality to the
daytime scenes; a more mellow sensitivity to those at night. Those of Sang-hee
racing up the mountain with the pot of glowing coals add tension with his
gestures and close-up perspectives. His anxious, fire-lit face on the
jacket/cover draws us into his story. The "Author's Note" adds
information on the factual background of the story.
Awards:
Asian Pacific American Award for Literature, 2004-2005 Winner Illustration United States
Irma S. and
James H. Black Award for Excellence in Children's Literature, 2004
Honor Book United States
Parents'
Choice Award, 2004 Recommended Picture Books United States
Armadillo Readers' Choice Award, 2004-2005 ; Nominee; PreK-2; Texas
Georgia
Children's Book Award, 2006-2007 ; Nominee; Picture Storybook;
Georgia
Kentucky
Bluegrass Award, 2006 ; Nominee; Grades K-2; Kentucky
Monarch
Award: Illinois' K-3 Children's Choice Award, 2008 ; Nominee; Grades
K-3; Illinois
Volunteer
State Book Award, 2006-2007 ; Nominee; Grades K-3; Tennessee
Young Hoosier
Book Award, 2006-2007 ; Nominee; Picture Books; Indiana
Connections: Use
this book in a classroom or storytime setting about patriotism. Discuss the
ways in which we can serve our country, like Sang-hee served Korea. Have the
children illustrate their ideas using watercolors or pastels, similar to Julie
Downing’s illustrations.
Check out the
following titles also by Linda Sue Park…
Park, Linda Sue, Jean Tseng, and Mou Tseng. Seesaw girl. New
York: Clarion Books, 1999.
Park, Linda Sue. A single shard. New York: Clarion Books,
2001.
Park, Linda Sue, and Istvan Banyai. Tap dancing on the roof: sijo
(poems). New York: Clarion Books, 2007.
Park, Linda Sue, and Bagram Ibatoulline. The third gift. New
York: Clarion Books, 2011.
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